Ceramic Installation titled ” Utopia Rug” in Trapp Projects, Vancouver, Canada. This work is inspired by the motifs of Iranian rugs, also Modernist sculptures. In this work, the artist designs and creates a ceramic rug using her own drawings.
“ Aspirations of a Weaver” Is a body of paper arts using handmade paper pulps with the left over threads of Iranian tribal rugs. In fact, the Old rugs gave birth to these paper arts. In my recent works, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Aspirations of a Weaver” Is a body of paper arts using handmade paper pulps with the left over threads of Iranian tribal rugs. In fact, the Old rugs gave birth to these paper arts. In my recent works, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Aspirations of a Weaver” Is a body of paper arts using handmade paper pulps with the left over threads of Iranian tribal rugs. In fact, the Old rugs gave birth to these paper arts. In my recent works, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Aspirations of a Weaver” Is a body of paper arts using handmade paper pulps with the left over threads of Iranian tribal rugs. In fact, the Old rugs gave birth to these paper arts. In my recent works, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Aspirations of a Weaver” Is a body of paper arts using handmade paper pulps with the left over threads of Iranian tribal rugs. In fact, the Old rugs gave birth to these paper arts. In my recent works, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Aspirations of a Weaver” Is a body of paper arts using handmade paper pulps with the left over threads of Iranian tribal rugs. In fact, the Old rugs gave birth to these paper arts. In my recent works, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Aspirations of a Weaver” Is a body of paper arts using handmade paper pulps with the left over threads of Iranian tribal rugs. In fact, the Old rugs gave birth to these paper arts. In my recent works, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Aspirations of a Weaver” Is a body of paper arts using handmade paper pulps with the left over threads of Iranian tribal rugs. In fact, the Old rugs gave birth to these paper arts. In my recent works, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Aspirations of a Weaver” Is a body of paper arts using handmade paper pulps with the left over threads of Iranian tribal rugs. In fact, the Old rugs gave birth to these paper arts. In my recent works, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Nomad” is a mixed media sculpture made of steel and encaustic. I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials.
“ Girl before Loom” is a mixed media sculpture made of steel, pigments, threads and a left over of Iranian rugs. I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures.
“Weaver “ is a mixed media sculpture made of steel, pigments, threads and encaustic. I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures.
These mixed media sculptures are made of steel and encaustics I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures.
“Sentimental Figure” is a mixed media sculpture made of steel, threads and left over of my grandmother’s dress . I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures.
“Sentimental Figure” is a mixed media sculpture made of steel, threads and left over of my grandmother’s dress . I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures.
“Sentimental Figure” is a mixed media sculpture made of steel, threads and left over of my grandmother’s dress . I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures.
“Nomads, Folds, Events” is part of a mixed media installation made of steel, threads and left over of old Iranian rugs . I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures.
“My self Portrait as a Mosaic Mirror” is a mixed media sculpture made of steel, threads and left over of my grandmother’s dress . I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures.
This is a fragment of “My self Portrait as a Mosaic Mirror” that is a mixed media installation made of steel folded on four parts like a textile . In this installation, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures. Inspired partly by Sufi poetry, my work is deliberately fragmentary, with modular components that can be freely arranged. It alludes to the dissolution of old orders and imagining of new systems. Shadows cast by the work art part of its sculptural consideration, resonating with my interest in forms that are not fully graspable and ever-changing.
“My self Portrait as a Mosaic Mirror” is a mixed media installation made of steel folded on four parts like a textile . In this installation, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures. Inspired partly by Sufi poetry, my work is deliberately fragmentary, with modular components that can be freely arranged. It alludes to the dissolution of old orders and imagining of new systems. Shadows cast by the work art part of its sculptural consideration, resonating with my interest in forms that are not fully graspable and ever-changing.
“My self Portrait as a Mosaic Mirror” is a mixed media installation made of steel folded on four parts like a textile . In this installation, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures. Inspired partly by Sufi poetry, my work is deliberately fragmentary, with modular components that can be freely arranged. It alludes to the dissolution of old orders and imagining of new systems. Shadows cast by the work art part of its sculptural consideration, resonating with my interest in forms that are not fully graspable and ever-changing.
“My self Portrait as a Mosaic Mirror” is a mixed media installation made of steel folded on four parts like a textile . In this installation, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures. Inspired partly by Sufi poetry, my work is deliberately fragmentary, with modular components that can be freely arranged. It alludes to the dissolution of old orders and imagining of new systems. Shadows cast by the work art part of its sculptural consideration, resonating with my interest in forms that are not fully graspable and ever-changing.
“My self Portrait as a Mosaic Mirror” is a mixed media installation made of steel folded on four parts like a textile . In this installation, I find analogy between human’s body and architectural sites. Each has public exteriority and complex, shifting interiors, and this duality underscores my use of dynamic forms and diverse materials. This work is inspired by the Iranian geometric abstraction and minimalist sculptures. Inspired partly by Sufi poetry, my work is deliberately fragmentary, with modular components that can be freely arranged. It alludes to the dissolution of old orders and imagining of new systems. Shadows cast by the work art part of its sculptural consideration, resonating with my interest in forms that are not fully graspable and ever-changing.
Part of the Exhibition view “ Figures and Folds” in Trapp Projects, 2023
“ Fragments” or “Hero” is a sculpture in steel. In this work, I tried to use a variety of tools to make steel looks like a textile. I have used torch, plasma cutting, welding and forging to over work the steel and make it exhausted. The final sculpture is stronger than before.
“ Fragments” or “Hero” is a sculpture in steel. In this work, I tried to use a variety of tools to make steel looks like a textile. I have used torch, plasma cutting, welding and forging to over work the steel and make it exhausted. The final sculpture is stronger than before.
“ Fragments” or “Hero” is a sculpture in steel. In this work, I tried to use a variety of tools to make steel looks like a textile. I have used torch, plasma cutting, welding and forging to over work the steel and make it exhausted. The final sculpture is stronger than before.
Drawing
Drawing
“ Ambitious Motif” Is made of steel and encaustic, inspired by the Iranian Tribal Rug’s Motif.
“ Ambitious Motif” Is made of steel and encaustic, inspired by the Iranian Tribal Rug’s Motif.
“ Aspirations of a Weaver” is a handmade paper art made of paper pulps and textiles.
Details of Ceramic Installation “ Utopian Rug”
“ Weeping Woman” is made of Steel, threads, leftovers of my grandmother’s dress and black paint.
